The male owner, who was working as a waiter at the time, first showed up, and their conversation with the celebrity sex dolls after they got back home revealed that this is a person who has been through some kind of extraordinary emotional experience.

• The following morning, Xiaowang, who had transformed into a real person, got up, and there was a lot of implication in his actions

• The lines that were left on her body were deliberately shown on the screen, and this served as the film's first hint at what was to come

• In the later plot, because Xiao Wang had lines of his own, he naturally assumed that the old women who wore lined stockings were also dolls

• He also sent her a box of foundation specifically to cover the lines in her face

• The translucent outline of Xiaowang that can be seen in the background of the picture is the subject of the second hint

   

During the night walk that Xiaowang and Chunyi, who works at a DVD store, take together, Xiaowang's shadow is see-through, while Chunyi's shadow is solid, which is also see-through. This is to convey to the audience that Chunyi is a real person, and the purpose of the plot of the walk is to refute the following statement, "I am the same as Xiaowang," who is also the same, and I am not different. Xiaowang has the optimistic misconception that Chunyi is also an air doll. At the very end of the movie, Xiaowang set the stage for the inflatable plot that Chunyi would use. In point of fact, what Chunyi said was virtually identical to what the elderly bald man had said, which was, "I am empty and empty."What I meant to convey was a sense of spiritual emptiness; however, simple Xiaowang took everything I said to mean something else entirely.

When Xiaowang first got up, he touched the dew and basked in the early morning light. Simultaneously, the music in the background became lighter. She got herself ready and went outside to see the father who was making a pass at her daughter. She also met the worker who was distributing the garbage, and the workers were discussing what items were "flammable" and what items were "non-flammable."This plot was similar to many of the plots in the background. It's rubbish that can't be burned, but once we're dead, our bodies will become rubbish that can be burned. It does not make any difference. The second thing is that Xiao Wang threw Chunyi's body in the garbage heap that contained combustible materials, and then she curled up in the garbage heap that did not contain combustible materials herself.

After that, all of the representatives were brought into the limelight one at a time by the characters: the woman is a man who is afraid of getting older and is not confident when competing with young girls in the workplace; this young man who peeks into the scenery of the skirt of Xiaowang is a masturbation mad;When the camera followed a woman as she picked up an apple on her way home from work, it immediately showed her giving up and overeating.

After getting a heart, Xiaowang picked up the skill of lying; after getting a heart, she no longer feels nothing when she has sex with her host, but instead she gives herself over to her heart. Alternatives to address libido ".

In point of fact, the meaning of this dialogue is to convey to the audience that even though Xiaowang's heart cannot be seen, it is still present. Both Xiaowang and Chunyi decided to spend the day at the beach. Xiaowang inquired as to the meaning of "get older," to which Chunyi responded, "It is maturing gradually and drawing closer to death."In response, Chunichi said, "The end of life."The mystery surrounding the forbidding buried in this plot will be revealed at a later time.

Xiaowang was overjoyed when he found an empty glass bottle on the beach and proceeded to pick it up, wash it, and bring it back to his house. What is it about empty bottles that she finds appealing? Not because the bottles have a nice appearance, but rather because they are bare just like she is.

The subsequent episode of Xiaowang and Chunyi dining was to cite the plot of the birthday of the little girl, Meng (the daughter of the father who was focused on the child). Meng's birthday was celebrated by the father who was focused on the child. Because the scene of the little girl's birthday made Xiaowang feel envious and jealous, the author of the story naturally included a scene at the end in which Xiaowang imagined herself celebrating her own birthday. This is a reflection of Xiaowang's desire to be genuinely cared for and loved by people, and not just as a cheapest sex dolls to satisfy sexual desire.

Xiaowang noticed a dandelion that had withered while he was walking back from the restaurant. This one minuscule element served merely as a reminder of the dandelion blowing in the wind at the conclusion. Both the director and the screenwriter must have been impressed by it.